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PHILIP ON FILM: PRESS

KOYAANISQATSI  ::  POWAQQATSI  ::  LA BELLE ET LA BETE  ::  DRACULA  ::  SHORTS

For all press requests and inquiries, please contact Carla Sacks or Brian Shimkovitz at Sacks and Co., 212.741.1000.

Carla Sacks, Publicist carla@sacksco.com

Brian Shimkovitz, Publicist brian.shimkovitz@sacksco.com

For a complete
Philip on Film project overview please click here.


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KOYAANISQATSI: PRESS

"Glass's music for KOYAANISQATSI has only gained in stature over the past 18 years...[the] score has countless thrilling moments ...sharply etched and consistently inspired...a masterpiece."
-The New York Times

"The audience sat silently through the film, and then erupted into an uninhibited cheering that was almost frightening in its intensity...the score for KOYAANISQATSI is invigorating, often tremulously beautiful, and almost extraordinarily in synergy with the visions projected upon the screen...Reggio's images haunt the viewer, accompanied by one of the most startling and original soundtracks ever written."
-The New York Times

"...A landmark film, KOYAANISQATSI grabs you almost instantly...Afterward, images flood your mind for days, for weeks...the images amaze us, but the staggering score by Glass guides us, giving the film a Wagnerian sense of apocalypse here and now, while at the same time affirming and reaffirming the life force so strong on our city streets...5*****"
-Los Angeles Magazine

"KOYAANISQATSI delivers satisfaction on so many levels that it could excite mass audiences...The score by Philip Glass is an outstanding achievement. Striking and intense, it has been so well executed that it melds with the visuals perfectly, always enhancing, never distracting or overpowering. The union of the music and cinematography is a blessed one that redefines the potential of filmmaking."
-Hollywood Reporter

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POWAQQATSI: PRESS

"A Masterpiece...."
-LA Weekly

"POWAQQATSI may be Glass' best work of the decade."
-New York Times

"A stunning tour-de-force...A powerful emotional experience."
-Variety

"...Radiantly filmed images...Glass has composed his most startling and original score in years."
-Christian Science Monitor

"[Glass' score is...] joyously tonal, craftily integrated...In this music there is much pleasure and poetry as well as technical skill...the composer's finest work in several years."
-Los Angeles Times

"Reggio's films are visual works of art...like no other films ever made. POWAQQATSI is magnificent movie making that emphasizes the power and beauty of the visual image. Reggio is a visionary artist and POWAQQATSI is must viewing...A fascinating and beautiful non-narrative film with superb music by Philip Glass."
-Gannet News Service

"***1/2 Fascinating and unique...a symphonic visual poem...[POWAQQATSI is ] utterly compelling. Reggio has done something truly remarkable..."
-NY Daily News

"[POWAQQATSI is...] a masterpiece in the art of cinema."
-Toronto Sun

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LA BELLE ET LA BETE: PRESS

"A new form of musical theater...this work should not be missed."
-New York Times

"A beautiful, superbly integrated work...this is Glass' best work in years...remarkable not only in conception but also in execution, brimming with freshets of melody and singing with a Wagnerian power...The restless relentless energy of the score...pulls one into the film in a way that mere background music never could. Even Wagner, who knew something about magic himself, might have been impressed."
-Time Magazine

"Mr. Glass has pressed his music into the mold of the movie, and produced something quite different-so different that it works extraordinarily well...This is the best sort of film music."
-The New Yorker

"An act of veneration of one artist for another, educational, entertaining and the shape of things to come."
-Evening Standard (London)

"A new form invented by Philip Glass, an "opera for Ensemble and film," completely unexpected and absolutely successful."
-Le Monde (Paris)

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DRACULA: PRESS

"DRACULA...was fitted with a tactful, lyrical Philip Glass score...with signal success. Glass's pulsing music was a perfect match for the old bloodsucker. By filling long silent passages with classic emotion in a modern vein, it restored DRACULA's urgency and dream-like dignity."
-Wall Street Journal

"Browning's still gorgeously foreboding images look as if they were shot yesterday...the score with its almost clinical clarity and eeriness manages the feat of being both a quintessential Glass work and a canny homage to the great horror scores of yore. ****4 stars."
-Premiere Magazine

"[Dracula] is beautifully restored...Glass has matched his new composition with Tod Browning's eerie images, in a performance that underlined the experience without upstaging it."
-Chicago Sun-Times

"Glass' score redefines the movie...Lugosi and Glass clearly benefit from each other's artistry. [The score] gave dignity and romanticism to the iconic image of Lugosi's penetrating gaze... Catch it if you can."
-Newsday

"A night to remember...Bewitching and hypnotic"
-Toronto Globe and Mail

"A Halloween treat...stunning"
-Time Out New York

"An exhilarating musical experience"
-San Francisco Chronicle

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SHORTS: PRESS

Shorts press will be arriving shortly


KOYAANISQATSI  ::  POWAQQATSI  ::  LA BELLE ET LA BETE  ::  DRACULA  ::  SHORTS

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